 23-04-2020 Sherman (email: charliem60@yahoo.com)
: Have you got a telephone directory? http://tamilxnxx.site/ xnxx bokep Mark McCombe, the head of BlackRock’s Asian operations and a former senior executive at HSBC, last week said he had decided against taking the job, while David Roberts, deputy chairman of Lloyds, is also understood to have been approached to replace Mr Hester, but turned down the role.
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23-04-2020 Steven (email: cornelius5q@aol.com)
: I want to report a http://xnxxhot.site/ porno xnxx Sophia McDougall mentions briefly the racialization of the strong female character cliché and the dangerous ways it can intersect with the âstrong Black womanâ stereotype. Jumping fandoms for a second, Joss Whedonâs work is sadly a great example of this. Buffy the Vampire Slayer, the quintessential strong woman character, is actually super multidimensional. Hers is the story of someone who is pushed into the strong woman role by big, patriarchal forces (âIn every generation, one Slayer is born, because a bunch of men who died thousands of years ago made up that rule.â) and would love to get to be/actually is âjust a girl.â As a vampire with a psych degree tells her, âYou do have a superiority complex. And youâve got an inferiority complex about it. Kudos.â Buffy is impossibly strong, which actually creates some room for her to be complex. But then compare her to Zoe from Firefly, who I love (especially because Gina Torres is the shit), but who doesnât get to be much besides strong, even when her husband is a leaf on the wind. Here, the strong female character intersects with Whedonâs standard Black character archetype: the morally conflicted soldier (Gunn on Angel, Truman in The Cabin in the Woods, Boyd Langton for the first season of Dollhouse, anyway. I also find it interesting that when Buffy dates this archetype heâs white â and many Buffy fans have called Riley boringly one-note).
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