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 23-04-2020 Steven (email: cornelius5q@aol.com)
Вопрос: I want to report a http://xnxxhot.site/ porno xnxx Sophia McDougall mentions briefly the racialization of the strong female character clichГѓВ© and the dangerous ways it can intersect with the ГўВЂВњstrong Black womanГўВЂВќ stereotype. Jumping fandoms for a second, Joss WhedonГўВЂВ™s work is sadly a great example of this. Buffy the Vampire Slayer, the quintessential strong woman character, is actually super multidimensional. Hers is the story of someone who is pushed into the strong woman role by big, patriarchal forces (ГўВЂВњIn every generation, one Slayer is born, because a bunch of men who died thousands of years ago made up that rule.ГўВЂВќ) and would love to get to be/actually is ГўВЂВњjust a girl.ГўВЂВќ As a vampire with a psych degree tells her, ГўВЂВњYou do have a superiority complex. And youГўВЂВ™ve got an inferiority complex about it. Kudos.ГўВЂВќ Buffy is impossibly strong, which actually creates some room for her to be complex. But then compare her to Zoe from Firefly, who I love (especially because Gina Torres is the shit), but who doesnГўВЂВ™t get to be much besides strong, even when her husband is a leaf on the wind. Here, the strong female character intersects with WhedonГўВЂВ™s standard Black character archetype: the morally conflicted soldier (Gunn on Angel, Truman in The Cabin in the Woods, Boyd Langton for the first season of Dollhouse, anyway. I also find it interesting that when Buffy dates this archetype heГўВЂВ™s white ГўВЂВ“ and many Buffy fans have called Riley boringly one-note).
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