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His signature tool is the long take, with the film starting on an uninterrupted 17-minute shot. He moves the cameras in ways I simply deemed impossible, creating a numbing visual spectacle. His manipulation of zero gravity, physics and the mute sound of space provides a dizzying, immersive recreation of space that is simply unmatched. Even if nothing else worked, “Gravity” would be a masterpiece as a sensory overload.
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