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http://jav.in.net/ jav sub The film is problematic throughout, but the issues really begin to make themselves known when we actually get to the White House. Up until that point the story is about a young man who goes through hell to make it out of the fields and into a life of relative stability and stature. Gaines is eventually tapped to work at the White House, and makes the move eagerly. When we are introduced to Cecil’s co-workers, however, played by Cuba Gooding Jr. and Lenny Kravitz, the issues with the script become evident. The idea is to show the servants have two faces, one they show to each other, and one they show to their employers. In order to illustrate the relaxed atmosphere of the kitchen, we meet Gooding Jr. telling, apropos of nothing, an extremely filthy joke, only to have crashing pots and pans obscure the punch line. That’s less “Lincoln” and more “Laugh-In.” Most of the conversations that occur between the characters feel forced, almost as though they are being ad-libbed by people who aren’t that good at improvisation. Plot-wise, the script has a major plausibility issue, as well. Not only are we asked to believe that Cecil’s mere presence was enough to help guide the movement on Civil Rights legislation, but that his son Louis, a college student by the time Cecil reaches the White House, was present at nearly every important Civil Rights event and a part of every motif of the decade, up to and including being present in the hotel room with Martin Luther King Jr. on the day he was shot as well as becoming a founding member of the Black Panthers. Implausible as it was, the story Louis Gaines includes some of the best parts of the movie, including scenes where students refuse to sit in the colored section at the lunch counter and attacks on the Freedom Rider buses. It makes me sad that this film lost its way so completely, considering a few excellent scenes.
