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Bieito’s production, though, is one that goes against the grain of Beethoven’s intentions. Encased in an abstract series of glass platforms that look rather like an early Donkey Kong video game, the characters are never truly set free even when their chains are loosed. So during the hymn to liberty we see a prisoner hang himself. An essay in the programme explains that Bieito is “ruminating on the illusive nature of freedom in a world where avarice, amorality and abuse too often serve the governing imperative”.
